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The Secret History of Twin Peaks and The Final Dossier by Mark Frost standing, showing off their hard covers and half jackets.

THE SECRET HISTORY of TWIN PEAKS

and The Final Dossier

Patient

  • Flatiron Books

Treatment

  • Design
  • Artifact creation

Diagnosis

We had the pleasure of working with Mark Frost, the co-creator and co-writer of the cult TV series, and publisher Flatiron Books on these two companion novels. The Secret History of Twin Peaks expands on the mythology created by the show’s original run and serves as a primer for the revival series. An in-depth tome spanning 368 pages, the text is written as though the book is a found dossier that has been studied and annotated by the FBI. Twin Peaks: The Final Dossier is notably shorter and serves as an addendum to the first book. Released immediately after the conclusion of the revival series, it ties up loose ends while offering further intrigue.

•  7.75 x 9.5  •  3/4 jackets printed front and back  •  3 pigment stamps on hardcover cases  •  368 pages, 4 PMS colors (Secret History); 160 pages, 2 PMS colors (Final Dossier)

Accolades

  • Communication Arts Design Annual 58, 2017
  • Print’s Regional Design Annual 2017
  • Print’s Regional Design Annual 2018
  • New York Book Show 2017; 1st place; General Trade, Hardcover Fiction
The front cover of The Secret History of Twin Peaks by Mark Frost, a green canvas case with sepia toned half jacket. The back cover of The Secret History of Twin Peaks by Mark Frost, a green canvas case with sepia toned half jacket.
(above)

The jacket is trimmed short to unveil a graphic mountain range stamped into the case, hinting that the book will expose the mysterious events unfolding in the town of Twin Peaks. Because the book focuses on the past, a historic photo of Snoqualmie Falls (famously featured in the show) adorns the jacket. A triangular pattern, printed in a clear spot gloss, encases the town in an invisible web of intrigue.

The front cover of The Secret History of Twin Peaks by Mark Frost, with its jacket folded out to reveal the photograph on its reverse side.
(above)

Removing the jacket reveals that the graphic is actually the owl ring symbol from the show, along with an owl—an important motif in the book. An eerily atmospheric image of the Snoqualmie Mountains is printed on the back of the jacket.

Animation fading in and out of the full front and reverse sides of the jacket.
Open book with two page vintage, aerial photograph of the remote, mountainous town of Twin Peaks, Washington, with the title page atop on the right.
(above)

To capture the feeling you get when watching the show—that “something’s a bit off”—we swapped out the usual CMYK printing colors for four unusual PMS colors, creating an unexpected effect. Some color builds produced a realistic sepia tone, while others created an unrealistically surreal vibe.

The title spread color graded in navy and white, showing the breakdown of the nontraditional printing plate colors.
The title spread color graded in red and white, showing the breakdown of the nontraditional printing plate colors.
The title spread color graded in neon green and white, showing the breakdown of the nontraditional printing plate colors.
The title spread color graded in ochre and white, showing the breakdown of the nontraditional printing plate colors.
Open book with a memo from the FBI introducing the book and explaining that the artifacts within are related to Twin Peaks.
Note from the FBI printed in red on cream, explaining the previous processing of the dossier.
Images of a letter artifact from Lewis and Clark to Thomas Jefferson, with current-day annotations questioning its authenticity. Excerpt from a journal found in Thomas Jefferson’s files, that indicates the existence of geological anomalies in the American northwest. Excerpts from the expedition journals of Lewis and Clark from September 1805, with annotations in the margins. Old artifact with handwriting and hand drawn map, opposite typewritten copy.
(above)

Interestingly, the book begins with the Lewis and Clark expedition of the early 1800s.

Library of Congress scan of Jefferson’s public response to Neely, which competes with other accounts.
Old and tattered document folder from 1879 titled A Plea for Peace and Equality, right, with caption on the left.
Interior of A Plea for Peace and Equality, which contains Chief Joseph’s speech, made in Washington DC in 1879.
Vintage sepia portrait of Chief Joseph in Seattle 1903, with explanatory text to the left. Two red color graded photographs, one a portrait of Jeremiah Johnson and the other of his memorial statue in Wyoming.
(above and below)

The book is a collection of ephemeral scraps, including vintage newspaper clippings, journals, receipts, photos, postcards, and FBI files—all of which we created. These elements are presented on the page in a modernist style, without drop shadows and neatly floating on a clean white background.

Various artifacts that Headcase created for the Twin Peaks books, including newspaper clippings, torn book pages, funeral cards, and more.
Open book with typewriter copy on the left and image of the illuminati triangle overlaid onto an owl on the right.
(above)

As mentioned earlier, owls are a recurring motif throughout the book and play a large part in the central mystery.

Articles from the May 1927 Twin Peaks Gazette, colorized in eerie green atop weathered vintage paper. Articles from the May 1927 Twin Peaks Gazette, colorized in eerie green atop weathered vintage paper. Articles from the September 1947 Twin Peaks Gazette reported by Robert Jacoby, colorized in eerie green atop weathered vintage paper. Articles from the November 1968 Twin Peaks Gazette, colorized in eerie green atop weathered vintage paper. Article from the March 1989 Twin Peaks Post, reporting the bank explosion.
(above)

Numerous issues of the Twin Peaks Gazette appear throughout the book. Readers will notice the design and typography subtly evolving from the 1920s through the 1990s, with the publication transitioning from the Gazette to the Post sometime in the 1980s.

Sepia photograph of police officers arresting three suspects in Dealey Plaza in November 1963.
Distressed, confidential government documents scanned into dossier and printed in green. Top secret paperwork from the Department of the Air Force in 1969, distressed and printed in green. Secret, typewritten government documents from an incident in Boise Idaho in July 1947, scanned into dossier. White typewritten document from 1952 about Jack Parsons, distressed and scanned onto black background.
(above and below)

Various FBI files track numerous residents throughout the years. Most of the book takes place before the TV show begins, but by this point in the story familiar characters begin to emerge.

Book spread mimicking Josie Packard’s open file folder, with her fingerprints, a photograph, and variety of reporting documents.
Newspaper article from the September 1987 Twin Peaks Post, headlined, Tragedy at Black Lake. Recreation of the interior of the Double R Diner menu, complete with all of Twin Peaks most beloved meals and treats.
Two overlaid images, one from the exterior of the cafe and one of the waitress inside.
Recreation of the leather exterior of the Double R Diner menu, with accompanying case information, left. Recreation of the interior of the Double R Diner menu, complete with all of Twin Peaks most beloved meals and treats. Recreation of the back cover of the leather exterior of the Double R Diner menu.
(above)

We created a complete replica of the menu from the iconic Double R Diner. The finest cup of joe and a slice of cherry pie will cost you just four and a quarter.

(above)

Dr. Jacoby wears glasses with one blue lens and one red, convinced that this unusual combination will offer him a clearer, more “heightened” view of reality. By overprinting specific colors, we were able to experiment with hidden images that can be revealed through red and blue lenses.

Recreated book cover for The Eye of God, Sacred Psychology in the Aboriginal Mind, by Doctor Lawrence Jacoby. Recreated back cover for Doctor Lawrence Jacoby’s book, left, with a page excerpt on the right.
Photograph of Wendy Robie as Nadine Hurley opposite a hospital document detailing her unstable mental condition.
Continued report on Nadine Hurley from the Calhoun Memorial Hospital Department of Psychiatry with pencil sketches.
Blue folder titled, The Ballad of Big Ed and Norma and Nadine by Hawk Hill, right, with caption and annotations on the left. Interior contents of The Ballad of Big Ed and Norma and Nadine by Hawk Hill.
Photograph of the Packard Mill opposite a contract of real estate sale for the mill, from Catherine Martell to Ben Horne.
Photograph of Audrey Horne opposite a letter to her father, Ben Horne, which was left at the Great Northern Hotel the morning of the bank explosion.
Three quarter spread image of books on a shelf, in sepia. Full spread, green tinted photograph of the town of Twin Peaks sign with mountainous road in the background.
Letter from Richard Nixon on House of Representative letterhead, left, opposite transcribed interview between Nixon and Hubbard.
Film photograph of the Bohemian Grove Owl colorized in red, left, with archivist’s note and newspaper clipping on the right.
Twin Peaks Post newspaper article about Margaret Lanterman, the Log Lady, played by Catherine Coulson. Continued Twin Peaks Post newspaper article about Margaret Lanterman, the Log Lady, played by Catherine Coulson. Continued Twin Peaks Post newspaper article about Margaret Lanterman, the Log Lady, played by Catherine Coulson.
(above)

An elaborate and engaging backstory to the Log Lady, a fan-favorite character from the show, appears in an ’80s issue of the Twin Peaks Post.

Doctor Lawrence Jacoby’s final case notes from 1989 on the death of 18 year old Laura Palmer. Photograph of an old tree stump on beach with a photograph of Laura Palmer, deceased with a head injury atop. Continued Doctor Jacoby’s final case notes on Laura Palmer, left, with strange double exposed portrait image, right.
(above)

The book eventually catches up to the mystery of Laura Palmer and provides additional details and nuance to the cultural phenomenon.

Sepia image of old typewriter, left, with typewritten interview on the right. Green colorized dot matrix letter, front and back, from Douglas Milford.
The final page and endpapers of The Secret History of Twin Peaks by Mark Frost.
12 books standing with their spines facing out, with 6 copies each of The Secret History of Twin Peaks and The Final Dossier, by Mark Frost.
The front cover of Twin Peaks, The Final Dossier by Mark Frost, a black canvas case with dark green half jacket. The back cover of Twin Peaks, The Final Dossier by Mark Frost, a black canvas case with dark green half jacket.
The front cover of Twin Peaks, The Final Dossier by Mark Frost, with its jacket folded out to reveal the photograph on its reverse side.
(above and below)

Since this book takes place in our current timeframe, the jacket features a contemporary shot of Snoqualmie Falls, contrasting with the historic photo from the first volume. A mysterious nebula in space is printed on the back of the jacket, evoking the foggy mountains of the first volume while also relating specifically to the revival series (if you know, you know).

Animation fading in and out of the full front and reverse sides of the jacket.
Title page for Twin Peaks, The Final Dossier by Mark Frost, featuring a black and white photograph of the waterfall.
Half title spread for Twin Peaks, The Final Dossier, with a black and white rose above small title typography, on black. Opening spread of The Final Dossier with an FBI memo on the right and blank bright red page to the left.
The front of FBI case file for Shelly Johnson, assigned to case agent Tamara Preston.
(above and below)

The Final Dossier is a much shorter and simpler, yet vital, addendum to the first book. It consists of FBI papers that tie up loose ends for many of the characters from the revival series, along with a few atmospheric photos.

Full spread photograph of a neon sign of a pistol shooting typography reading, The Bang Bang Bar. First page of Shelley Johnson’s FBI case report. Spread featuring an autopsy report for Leo Abel Johnson from Calhoun Memorial Hospital. Full spread black and white photograph of a tree stump in a forest. FBI written case report on subject, Miss Twin Peaks. Full spread black and white photograph of an explosion in a large desert valley. End of FBI case report, left, opposite the front of a new case folder for Major Briggs, right.
Eerie full bleed images of several characters from Twin Peaks.
Mark Frost’s, The Secret History of Twin Peaks and Twin Peaks, The Final Dossier without their jackets, standing next to each other.
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