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Front cover of Deadwood, Stories of the Black Hills by David Milch, with weathered typography and photograph of Seth Bullock and Al Swearengen.

DEADWOOD

Stories of the Black Hills

Patient

  • Melcher Media
  • Bloomsbury
  • HBO

Treatment

  • Design
  • Custom typography

Diagnosis

An official tie-in for HBO’s award-winning show Deadwood, this book provides insight into the making of the series and the historical figures who inspired it. We aimed for the design to reflect the beautifully intricate printed materials of America in the 1870s, along with the raw violence and rugged mayhem of the show. To achieve this, we incorporated historically authentic typography, aged and distressed photos, and even the occasional splattering of blood.

•  8 x 9.25  •  debossed cover, die-cut tip-on uncoated sticker  •  232 pages, 4-color hardback book

Accolades

  • AIGA Philadelphia Design Awards 2008
  • Communication Arts Design Annual 48, 2007
Closeup of Deadwood front cover, showing the debossed shape and tip on sticker.
Photograph of back cover of Deadwood, Stories of the Black Hills, with type on torn sticker adhered to center. Front endpapers of Deadwood, Stories of the Black Hills, showing vintage town map illustration.
Flat version of the vintage Deadwood map from endpapers, made to look like a realistic engraving, showing Main Street, Chinese Alley, and beyond.
Interior spread highlighting 17 main characters with each person’s sepia portrait above their character and actor names, beginning with Seth Bullock played by Timothy Olyphant.
Chapter one, The Language of Men, opening spread with full page image of Ian McShane as Al Swearengen, left, and custom western letterpress typographic design, right.
Spread titles, The Making of Deadwood, with full page photograph of the set, left, and typographic layout, right. Continued pages about the making of Deadwood, with full page photograph of cowboy on wagon with horses, opposite typographic layout with portrait of Al Swearengen.
Character highlight spread for Al Swearengen played by Ian McShane, with portrait on left page and character specific letterpress typography and decoration on the right.
(above and below)

The customized typography for the character profiles is created from historically accurate letterforms scanned from old ephemera, incorporating numerous type styles that have never been converted to fonts.

Character highlight spread for Mister Wu played by Keone Young, with portrait on right page and character specific letterpress typography and decoration on the left. Character highlight spread for Francis Wolcott played by Garret Dillahunt, with portrait on right page and character specific letterpress typography and decoration on the left. Character highlight spread for Calamity Jane played by Robin Weigert, with full bleed portrait on left page and character specific letterpress typography and decoration on the right. Character highlight spread for Sol Star played by John Hawkes, with portrait on right page and character specific letterpress typography and decoration on the left. Character highlight spread for EB Barnum played by Billy Sanderson, with portrait on right page and character specific letterpress typography and decoration on the left. Character highlight spread for Seth Bullock played by Timothy Olyphant, with portrait on right page and character specific letterpress typography and decoration on the left.
Spread from chapter two with dramatic full page film still, left, and typographic layout about the gold rush, right.
1879 map of the Black Hills, left, opposite text page with photo of George Hearst’s mine in the 1880s, and clipping of newspaper typography from 1878. Newspaper clipping about George Custer leading an expedition to the Black hill in 1874, left, with image from show and text, right.
Letterpress typography detailing the history of Chinese people in the Black hills, with two photographs including a full page portrait of woman in traditional garb, right.
Opening spread for chapter six, the badge and the gun, with large portrait of Timothy Olyphant as Seth Bullock, left, and vintage western typography right.
(above and below)

The chapter openers are distinguished from the character profiles by a clean, systematic design and color palette, while still incorporating historical typefaces.

Opening spread for chapter five, love and marriage, with large portrait of Molly Parker as Alma Garret, left, and vintage western typography right. Opening spread for chapter seven, the mystery of peaches, with large photo of canned peaches, left, and vintage western typography right. Opening spread for chapter three, intoxicants, with large portrait of Ian McShane as a drunk Al Swearengen, left, and vintage western typography right. Opening spread for chapter two, the color, with large photo of hands holding a gold nugget, left, and vintage western typography right. Opening spread for chapter four, the whores, with large portrait of Paula Malcomson as trixie, left, and vintage western typography right. Opening spread for chapter ten, Mister wu, with large portrait of Keone Young as Mister Wu, left, and vintage western typography right.
Character highlight spread for Joanie Stubbs played by Kim Dickens, with portrait on left page and character specific letterpress typography and filigree on the left.
Character highlight spread for Alma Gerret played by Molly Parker, with portrait on left page and character specific letterpress typography and floral filigree on the right. Alma Garret character highlight continued, with text on the left and full bleed photo of Molly Parker through a glass pane on the right.
Character highlight spread for Trixie played by Paula Malcomson, with portrait on right page and character specific typography and floral filigree on the left.
Costume sketches for Joanie Stubbs, Trixie, and Aunt Lou in season three.
Full spread, full color photograph of the girls of chez ami.
Typographic specimen on transparent background reading, you cannot fuck the future sir, the future fucks you, a quote from Commissioner Jarry.
Season 3 costume sketches for Al Swearengen, Doc Cochran, Silas Adams, and Sol Star.
Chapter six spread focussed on Seth Bullock’s as the town Sheriff, with full bleed photo of gold sheriff’s badge on the left. Newspaper grey tinted spread detailing the real Seth Bullock and his friendship with President Theodore Roosevelt, with accompanying photos and letterpress typography.
Blood stained opening spread for chapter eight, ordinary and extraordinary violence, with large photo of men in a fight, left, and vintage western typography right.
Grey newspaper page with article by Calamity Jane and photo of the real Charlie Utter posing with Wild Bill Hickok’s tombstone, left, opposite television still and text on the right.
Full spread, full bleed film still of Wild Bill Hickok passed out drunk on a wooden table.
Typographic specimen on transparent background reading, if this is his will he is a son of a bitch, a quote from Doc Cochran.
Opening spread for chapter nine, in his last extremity, with large photo of Al Swearengen looking bandaged and unwell, left, and vintage western typography right.
Spread dedicated to physician doctor Cochran with full bleed photo of the exterior of his office, left, and text detailing his impact, right. Full spread television still of Al Swearengen in hospital bed at Doc Cochran’s office, speaking to the doctor and friends.
Character highlight spread for Doc Cochran played by Brad Dorif, with portrait on left page and character specific letterpress typography and filigree on the right.
Opening page for the Deadwood episode guide, left, with first three episodes on the right, each with summaries, a photo, and pull quote. Second spread of the Deadwood episode guide, showing episodes 4 through 9, each with summaries, a photo, and pull quote.
Back To The Top / Return to Design

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